

The next big thing in movies is 60-year-old IMAX tech
Christopher Nolan's The Odyssey is the first feature film ever shot entirely with IMAX 70mm film cameras, which is apparently a very big deal, and why it's been harder than usual to get a ticket to see Matt Damon. And now that Spider-Man is moving onto IMAX screens, it may be even harder to get a ticket. Why is this…

Scout bees are checking it out — divided opinions, the swarm hasn't committed.
Buzzmeter says it's buzzing across platforms — the Hive Vote says whether the people who actually listened liked it.
Rate this episode
Add your vote to the Hive — listeners rate every episode after they finish.
- No reviews yet — be the first.
What people are saying
“The revolution has begun. David has been brought down and Jen is leading the vanguard. Finally a new age dawns for the Vergecast where 80% of the content isn't flip phones! Glory to the revolution!!!”
“Congrats on the baby David 😂 Welcome Jen!”
“If the presenter is (or can get to) London, they have two full size IMAX's one with both a traditional with a xenon lamp and a digital with a laser source and another just digital but with atmos sound. It'd could be interesting for her to w…”
“I saw The Odyssey in both IMAX 70mm, and also dolby and I have to say I weirdly preferred the dynamic range and sound of Dolby over the resolution and ratio of IMAX. I felt the opposite way for Oppenheimer. Dark scenes just look so much bet…”
One great episode in your inbox, daily — free.
One email a day, unsubscribe anytime. No spam, ever.
